Printmaking position

WINONA STATE UNIVERSITY
PO BOX 5838
WINONA, MN 55987

RESPONSIBILITIES: Fixed-term Instructor or Asst. Professor to teach Art Foundations, University Studies and Printmaking. Art Foundations includes 2-D Design and Drawing I. University Studies includes a large enrollment Experiencing Art or Intro to Art as well as a Drawing course designed for Science majors. Additional responsibilities may include Gallery Director and/or teaching Graphic Design. Normal teaching load is 12 credits per semester. Participation in Departmental responsibilities expected. Rank and salary commensurate with experience.

QUALIFICATIONS: MFA in printmaking and at least two years full-time university teaching experience beyond graduate assistantship (or teacher of record). Possible renewal of this position beyond one year.

Print Zero Exchange

Print freaks...time again to get ready for the annual print zero exchange!!!!

Hello Printmakers,
It's time for the annual Print Zero Studios Print Exchange #5.
Last year we had 285 printmakers from 18 countries participate,
and the show traveled to 4 states. We thank you for your past
participation and hope that you will once again take part.
Now onto the prospectus.


PRINT ZERO STUDIOS - PRINT EXCHANGE 5.
Welcome to the Print Zero Studios Print Exchange V.
At this point we have at least 2 confirmed exhibitions.
Thank you to the Florida Printmakers who will be hosting
at the U of Miami. Thank you also to Sev Shoon Arts Center
and BallardWorks who will be hosting in Seattle.

GUIDELINES
All prints will conform to the following guidelines, any prints that
do not fit these criteria will be returned to the artist (No Exceptions).
- Prints must be created with an original printmaking process
(etching, litho, silkscreen, woodcut, etc…NO strictly digital prints)
- Paper size of 5"x7"
- Edition of 15 prints (Print Zero Studios will keep 2 prints from
each edition for archiving and exhibition)
- There is no assigned theme
- Submission Fee of $5.00 (US participants) $7.00 (International participants)
This will cover return shipping costs, we will provide postage/envelope.
- Submissions must be RECEIVED by June 15, 2007

Ship prints to:
Print Zero Studios
Attn: Brian Lane
323 North 105th Street, A-2
Seattle, WA 98133
Check the website for updates and information. You may also download
the prospectus and view previous print exchanges.
http://www.PrintZeroStudios.com

Cheers,
Jeremy Cody - printzero@gmail.com
Brian Lane - printzero2@gmail.com
Lisa Hasegawa - ilfant@yahoo.com

Summer Workshop in Skopelos, Greece

Clay Mono-prints with Mitch Lyons - August 1st - 15th

As you know I went to Skopelos, Greece last year for a printmaking workshop. I would go back in a heart beat. Not only are the facilities of the printshop wonderful, but Jill and Gloria are wonderful people who took time out everyday to ask us if we were doing alright and made us frappachino's. The workshop is on a beautiful Island with beaches and mountains. It's a truly magical experience!


This is a once-in-a-lifetime opportunity to study a printmaking method developed by the instructor himself, Mitch Lyons. Students will create their prints on clay and then transfer the print on to paper. This is an excellent way for ceramists, painters andprintmakers to explore new techniques. Costs to include opening/closing dinner and breakfasts is $1,400. Price does not include housing. An early bird special is offered by registering no later than April 30th.....more

Mitch Lyons

Skopelos Print Shop

Summer Workshop in Spain

A Two-Week Solar Printmaking Workshop
with Maureen Booth in the Andalusian Sun



You'll be taken with solar-plate printmaking; everybody is. This two-week intensive workshop with Maureen Booth in solar-plate techniques also includes some innovative relief techniques based on liquid metal.

Studio located in Sierra Nevada foothills, river below with nightingales, wonderful area for walks and sketching. Riverside walking/bike path goes all the way to Granada, also frequent bus service.

Sun, sun and more sun...

Katarina Vavrova

Katarina Vavrová is a very talented painter and graphic artist from Slovakia. Her work is highly poetical, imaginative, dreamlike and very suggestive. The quality of detail and draughtsmanship is extraordinarily well visible. The motives have their roots in literature and arts, historical events and persons. One can see traces from biblical events and from the time of the great discoveries, but also something from the outer world and something from the inner parts of the human soul. In her work the world of fantasy melds with reality, dream with actuality, and desire with experience.
Typical elements in her work are people, animals, men with wings, some hats or headgear and something in red colour. In many of her pictures we see a lady with a sad contemplating expression on her face.

The many prizes and awards received by Katarina Vavrová and the number of private an group exhibitions she has had, do prove that her art is of the highest quality.

Vavrová is born in 1964 in Bratislava, Slovakia, and today she lives and works in Pezinok which is nearby native town.

-more prints

Paul Wunderlich

While I was farming in Italy, I came across a book of an exhibition of artists who created kites. Paul Wunderlich was one of the artists, and I fell in love with his work after doing some more research on him. Some surprising information I found out was that Horst Janssen switched from lithography to etching as a pupil under Paul Wunderlich and later regarded Wunderlich as a rival. How surprising that these two are related. I can definitely see the resemblance, but some how I'm more drawn to Janssens work, but yet I like the surrealist aspects of Wunderlichs work. This is fantastic information to me! I need to find out more about this relationship.


Painter, sculptor and Printmaker
Wunderlich studied at the Hamburg Academy and after a three year stay in Paris returned to Hamburg to be Professor of the Art Academy there. He now lives and works in Hamburg and for part of the year in France.
His early work was in an "abstract-figurative" style, but in the sixties he adopted a more symbolist, even surrealist style. He painted and printed many images taken from the fine photographs by his wife, Karin Szekessy He has held many major exhibitions world wide and has won innumerable International prizes, particularly for his colour lithography. He has been immensely prolific and has a vast oeuvre of prints, paintings in many media, sculpture, jewellery and furniture design. His renditions after classic paintings by artists such as Dürer, Ingres and Rembrandt show his inventiveness





Red Fern Gallery-drypoints
The Hart Gallery-sculpture, lithographs, and painting.
Gallery Brockstedt-prints
Limited Editon Graphics-prints


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woodblock

I'm embarking on a new adventure. I'm teaching myself how to do woodblock printing using Gabor Peterdi's methods. I didn't remember that he had a section in his book about woodblock printing until I was searching through it yesterday. I really like his instructions and I think it will be enough to get me started. So, I went out and bought some materials that I didn't have which was a lot of fun. I usually despise shopping, but getting art supplies is always fun. I bought some cheap woodcut tools because I didn't find any that I liked. I'll probably have to order them online. Besides I wanted to make sure I liked this process before I spent a lot of money on things, but maybe that's the wrong philosophy to start a hobby with? Since I don't have a car getting wood is very hard. I had to bike a long way to my favorite store in the whole wide world Home Depot! Actually, I hate this store with a passion. I got some strange ink called adigraf ink which is waterbased. I'd rather work with waterbased ink since I'm working at home with a crazy cat who'll eat anything. The ink smells like acrylic paint and is a bit glossy, but I'll give it a go when I get to that point.

I like Gabor Peterdi's book because the way he writes is as if you were in the classroom with him. He offers some fine suggestions on mistakes that his students have made, and offers a lot of advice and philosophy on how woodblock printmaking should be approached.

The project that I am taking on that I have been thinking about for years now is tarot cards. I've been doing readings for myself for six years now, and I'm still fascinated in the imagery of the cards. Ever since I heard that Salvador Dali created his own set, I've wanted to do it. There is a challenge that has been proposed by my Prof.J to find the earliest print in western civilization. I have looked and looked and cannot find one that dates earlier than the 1423AD woodcut of St. Christopher. On my searches I came across some information on suggestions that the earliest images on woodblock besides religious iconography could have been a deck of cards, but nobody has any images of them. Cards were banned by the government soon after they were widely distributed using woodblock, so I'm sure a lot of them have been destroyed.


I stumbled across Salvador Dali's woodblock/etchingsand realized that I had never seen these images before. There are wild and creative. I really like these a lot more than I his oil paintings. These images are so fresh and free I can't help but compare this work to a lot of art I see in the contemporary galleries in San Francisco. I went to the Dali museum which is located outside of Barcelona. It's a really great museum if you have the chance to visit it. It's in a really small town which has devoted itself to selling Dali trinkets. I really was amazed by how much work Dali did in his lifetime. Forget having a solo show this guy has floors and floors of work in all mediums. It's really inspiring to be in there.

Things a changin' 'round 'ere

Check out the new print pod with short videos of printmakers, techniques and exhibits.

Blogger is now new and improved. I like the new additions to the new blogger. I finally get to add labels which was my biggest complaint of all. Plus now they have new fun"widgets" to add and I love that blogger and Google have merged (even though I oppose merging). I like googles feature, reader labs, which allows me to receive updates from all my favorite blogs onto one area so that I don't have to keep looking for updates on blogs all the time. I also like that I can post blog articles that I liked to the side bar. I even went so far to update more links on the side bar. I'm done with adding all the US print shops, I've added a couple of Canadian shops but there are a lot more. Soon I will do more, but I'm really tired. I learned a lot about the Canadian territories which I knew so little about before.

Hey I just felt an earthquake. I've been feeling them a lot lately.

I had a lot of fun looking at all the websites for print shops. Some are really badly designed, but a lot of them are really cool to look at. I'm surprised by how many Print shops are in California, Texas, and New Mexico. Wisconsin looks very sad, actually the Midwest looks sad-I wonder why there aren't anymore, but there are so many states that don't even have one print shop. New York has a lot of print shops, but that doesn't surprise me non. There are a ton of print shops in England. A lot of them don't have websites so I didn't add them. Perhaps I'll add them in the future when the Internet becomes more a part of British life and when it becomes more economical.

-Happy Printing y'all

Magical Secrets about Line Etching & Engraving: The Step-by-Step Art of Incised Lines

Available March 27, 2007

It looks like Kathan Brown of Crown Point Press has written another bookMagical Secrets about Line Etching & Engraving: The Step-by-Step Art of Incised Lines. This time it is more about technical skills rather than creative thinking (Magical Secrets about Thinking Creatively: The Art of Etching and the Truth of Life). I was browsing through Crown Point Press summer courses and would love to take and etching workshop. I really don't know what my schedule will be like this summer, so it's hard to plan for it. I guess it's sort of hard to get into the workshops. They select people by pulling their names out of a hat. One of the printmaking professors from CCA actually used to work at Crown Point Press, and he does things a lot differently from the way I've been taught. I'm a get down and dirty printmaker while he was a more orderly, scientific printmaker. Still I would love take a class and use the facilities.

Magical Secrets are sudden flashes of insight that help you make sense of something you care about. If you care about etching, engraving, and drypoint (a form of engraving), you will find revelations here. Author Catherine Brooks is a master printer at Crown Point Press, printers and publishers of etchings since 1962, and she draws on the venerable history of that institution to create an inspirational and highly usable how-to book. Crown Point Press founder, Kathan Brown, adds an appendix on hand-wiping and printing that teaches you to ink and print etchings with Crown Point’s superlative quality. The practical information is artistcentered, with illustrations and discussions of line etchings and engravings enhanced by quotations from the artists who made them. The book includes a DVD on which Catherine Brooks and Kathan Brown demonstrate the processes and artists are shown using them. On the accompanying website, you can join others in discussions and find ongoing information and ideas to increase your pleasure in the printmaking world.

Top 10 Grad Schools for Printmaking

According to U.S. News the top ten best graduate schools for printmaking are:

1.University of Wisconsin-Madison

2.University of Iowa (#1?)

3.Arizona State University

4.University of Georgia

5.University of Tennesee-Knoxville

6.School of the Art Institute Chicago (pardon moi...printmedia)

7.University of Texas-Austin

8.Cranbrook Academy of Art (MI) (excuse me...print/media)

9. Rutgers State University-New Brunswick New Jersey

10. Rhode Island School of Design